FOURTH LANE — NEUTRAL LOG → REC.709 CONVERSION LUTS
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16 technically-neutral conversion LUTs (33x33x33 .cube), taking common
camera LOG formats to a clean Rec.709 display render.

HOW THEY WERE MADE
  Built mathematically from each manufacturer's PUBLISHED log transfer
  function and colour gamut (via the open-source colour-science library),
  then rendered to Rec.709 with an ACES-based filmic tone map. 18% middle
  grey lands at ~0.40; neutrals stay neutral. These are Fourth Lane's own
  conversions — NOT repackaged manufacturer LUTs.

INCLUDED
  Sony        S-Log2 / S-Gamut
              S-Log3 / S-Gamut3.Cine
  Canon       C-Log2 / Cinema Gamut
              C-Log3 / Cinema Gamut
  Panasonic   V-Log / V-Gamut
  DJI         D-Log / D-Gamut
              D-Log M / D-Gamut   (Mini 4 Pro)
              D-Log 2 / D-Gamut   (Osmo Pocket 4 / 4P)
  Fujifilm    F-Log / F-Gamut
              F-Log2 / F-Gamut
  Nikon       N-Log / BT.2020
  RED         Log3G10 / REDWideGamutRGB
  ARRI        LogC3 / AWG3
              LogC4 / AWG4
  Blackmagic  Film Gen5 / Blackmagic Wide Gamut
  GoPro       Protune Flat / Protune Native
  Apple       Apple Log / BT.2020   (iPhone 15 Pro and later)

HOW TO USE
  DaVinci Resolve : drop the .cube in your LUT folder, right-click clip
                    -> LUT, or apply on a node / timeline.
  Premiere Pro    : Lumetri Color -> Creative (or Input LUT) -> Browse.
  Final Cut Pro   : add a Custom LUT effect -> choose the .cube.
  Apply to log footage only. Adjust exposure/white balance first.

NOTE
  These are a neutral starting point, not a creative "look". Tune contrast
  and saturation to taste after applying.

LICENCE
  © Fourth Lane. Free to use in personal and commercial projects.
  Please don't resell or redistribute the files as your own product.
